Latency first
The engine is built for a live chain. Every processing block has a latency budget, checked before it ships, and note transitions land where you sang them.
Performative Autotune corrects pitch in real time, at latency built for the monitor chain. It moves the note and leaves the rest of the take alone.
The engine is built for a live chain. Every processing block has a latency budget, checked before it ships, and note transitions land where you sang them.
Pick a key and correction lands only on the notes in it. Toggle individual notes for custom scales, or run chromatic and correct to every semitone.
Retune speed runs from transparent touch-up to full hard-tune. Character presets are stored separately from song setup, so the sound you built survives a key change.
Every audible change passes the same four checks before it merges. The failures stay on the record, next to the passes. An excerpt is below.
Before we fix a problem we build a tool that measures it. The fix has to move the number, not just the mood.
Output is compared against the industry reference and against recordings with known correct pitch. The comparison set is 1,400 clips.
One good take proves nothing. A change must hold across 60 clips of real singing without regressing anything it didn't touch.
The last check is a blind A/B: unlabeled renders, judged by ear, answer key opened after the verdict is written down.
Fig. 03 — title bar, 1:1 from the plugin. Porcelain & Graphite: same names, swapped values. Try the pills above ↑
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